Daisy Ridley, Sosie Bacon and Simon Rex are joining forces for Get Rid of It, a road-trip horror film that puts three distinctive screen presences on the same unsettling route. Directed by Ry Russo-Young and written by Gemma Holdway, the project is scheduled to begin filming in early 2027. It is being introduced to buyers at the American Film Market by Upgrade and CAA Media Finance, a pairing that signals an international sales push before cameras roll. The announcement brings together familiar genre performers and a filmmaker whose work has moved between intimate drama and studio storytelling.
The premise centers on sisters setting out across the country, only to discover that Harper is pregnant after a one-night stand. That unexpected news supplies a sharply personal complication for a journey already framed as horror, though plot details about the threat remain under wraps. The combination suggests a story where family obligations and bodily uncertainty may matter as much as whatever danger lies on the road. For viewers, the hook is not simply a frightening trip, but the pressure of having to keep moving while life changes without warning.
Ridley arrives with a global following built through her role as Rey in the Star Wars sequel trilogy, a part that made her a defining face of a generation of franchise storytelling. She has also pursued projects beyond the galaxy far, far away, giving fans reason to watch how she approaches a smaller-scale genre ensemble. Bacon brings particular horror recognition after starring in Smile, whose success demonstrated the continuing appetite for original theatrical scares. Rex, meanwhile, has earned attention for dramatic work including Red Rocket, while his long career across comedy and cult entertainment gives the trio an unusual tonal range.
Russo-Young’s involvement adds another point of interest for audiences who follow directors as well as casts. Her credits include the coming-of-age fantasy Before I Fall and the adaptation The Sun Is Also a Star, projects that pair emotional relationships with heightened circumstances. A horror road movie offers a different framework, but it likewise places characters under pressure and makes movement through the world part of the drama. Holdway’s script will determine how the sisters’ story and the genre machinery meet, and the announcement leaves that balance intriguingly open.
The American Film Market launch is significant because it puts the film in front of distributors while it remains in development. At markets such as AFM, sales representatives present projects to buyers in different territories, helping assemble the financing and release partnerships that can carry a movie to audiences worldwide. With production not expected to start until early 2027, this early pitch gives the team time to build interest around its cast and premise. It also illustrates how independent films increasingly use recognizable stars to stand out in a crowded marketplace, without relying on an existing franchise.
For fans, the casting creates several possible entry points: Ridley followers can see her in a new genre setting, Bacon devotees can anticipate another horror role, and Rex viewers can discover him in a story that blends suspense with family tension. The sister relationship may also give the film an emotional center that distinguishes it from a simple succession of roadside shocks. Horror often turns everyday anxieties into heightened threats; pregnancy, travel and strained family ties are already charged subjects before anything supernatural or violent enters the picture. How the film handles those themes will shape whether its scares feel merely startling or genuinely resonant.
There is still plenty audiences do not know, including the full supporting cast, the specific nature of the horror, and where or when the finished movie will reach cinemas or streaming. Those gaps are normal at this stage, and the long runway to filming leaves room for the project to evolve. For now, Get Rid of It offers a compact, intriguing blend of a cross-country premise, a sister story and a cast spanning blockbuster fame, contemporary horror and independent drama. Its next milestone will be turning that promising combination into a production, then a film capable of making the journey feel unforgettable.
